Select triplanar projection to dissolve the seams, and then adjust the material scale simply by entering its real-world units. Modeling small bevels on your models is always a complicated task. Thanks to our incredible round edges solution, you will be able to round off any edge and automatically boost the realism of your images with no hassle.
Easily place contacting objects with the surface mode in our move tool. Objects will follow the shape of the base object. With our library of ambiences you can easily change the mood of your scene by simply dropping lighting setups we have carefully crafted for product visualization. With our Shadow Catcher solution you can seamlessly integrate your 3D objects on pre-existing photos or backplates.
Our lights even have the ability to illuminate the backplate so you can make perfect photo compositions. A main protagonist in Maverick: Gradient Lights is a powerful system for parametric lights that simulate real illuminants that will give your images an amazing realism boost. Enjoy our library with more than ready-to-use presets. Gradient Lights, just like any other light created in Maverick can be easily positioned around your objects thanks to our Normalight technology. This tool allows you to create professional lighting setups with precision in no time.
Manipulate physical lights easily in our new intuitive panoramic panel. No HDR painting involved. The Ambience Composer is an orbital positioning tool that deals with real geometry lights, with all their inherent benefits over Image-Based Lighting. Undoubtedly one of the features most sought-after by our users. Now you will be able to save your own ambiences to the library and reuse them in any scene within Maverick Studio.
Lightbox is a new type of node meant to be connected to the IBL which creates a fully parametric virtual room. This node can be used to quickly create a room-like or lightbox-like a. This can be extremely useful not only to ground your object in plausible neutral surroundings, but also to cancel distracting unwanted reflections from your objects. Trace Sets allow you to selectively control which objects and lights in the scene are allowed to interact with each other.
Creating theatrical and moody lighting has never been easier than with Maverick. With our Projector Lights you will be able to simulate complex shapes that will bathe your objects, creating unique atmospheres.
Change your lighting on the fly. Turn lights on and off. Modify their intensity and colors. All this without having to render again! You will save tons of working hours with the ability to make instant adjustments from our LightMixer panel. Our acclaimed glare and bloom system performs a physically-correct simulation of the camera lens and achieves spectacular results, far from the cheap-looking blur-based approximations used by other software packages.
Depth of Field is essential to make your renders look like photographs. In Maverick you can set up your camera to simulate a real-life camera. With our DOF tool you can easily pre-visualize which areas of the image are in focus and which are not. The quality of our displacement is second to none.
Import PBR textures smartly into Maverick with our one-click file picker. Simply pick one of the material textures and Maverick will auto-detect and pull the rest of textures to rebuild the full material.
Straightforward and easy to use, our turntable wizard allows you to create stunning presentations for your models and their material details. Detach your scene by groups of objects or materials and then render the whole scene at once to a PSD file conveniently organized in one layer per group for you to easily adjust each component separately in post-production.
Rendering your objects with shadows and reflections detached into layers is a trivial task in Maverick. This feature, sought after for product visualizers, is now just a couple of clicks away in Maverick. Visit our Product Comparison page.
Think of the Maverick as a compact SUV with a 4. It comes only as a crew cab and eschews the body-on-frame construction of most pickups for a unibody architecture, specifically a beefier version of Ford's C2 platform, which underpinned the no-longer-available Focus, among others. The larger Honda Ridgeline employs a similar layout, earning it some scorn from traditionalists, but a unibody setup keeps curb weight in check and can provide better driving characteristics.
It's no coincidence that the Hyundai Santa Cruz , the Maverick's equally fresh competitor, has a similar makeup. If you're six feet tall, you can look right over the Maverick's Still, the driver sits high behind the wheel. The Imposing doesn't describe the Maverick, but it can haul a substantial pounds in its bed and tow pounds. The towing limit increases to pounds for all-wheel-drive versions fitted with the 4K Towing package our tester didn't have it. Unlike the Santa Cruz and Ridgeline, the Maverick's cargo box lacks an underfloor storage bin, but it features notches to partition the bed space plus provisions to create a second-tier load floor above the wheel wells for hauling four-by-eight-foot sheets of plywood with the tailgate dropped.
Our all-wheel-drive example returned 29 mpg in our mph highway fuel-economy test, matching its EPA estimate. And its mpg average is better than mid-size trucks tend to fare in our hands. Ford's boosted 2. This setup is a good match for the Maverick, although we would welcome some form of manual control instead of the L setting on the rotary shift dial, which simply holds gears at higher revs.
At 71 decibels, full-throttle noise levels in the cabin are relatively hushed. However, that's only one decibel louder than we recorded when cruising at 70 mph, with prominent wind rush around the mirrors and A-pillars. Sound insulation is modest; flip down the rear seatbacks and there's just a bare-metal bulkhead. While front-drive versions use a torsion-beam rear suspension, all-wheel-drive models get an independent trailing-arm setup that delivers a taut yet comfortable and composed ride.
The unsettledness over rough roads that's common in conventional pickups with live rear axles and leaf springs is not an issue here. There's noticeable body roll in corners, and the thwacks from pavement seams can reverberate inside. But the Maverick feels solid, and its brakes have a reassuring bite. Crank the steering wheel off-center and this truck obediently changes direction, albeit with little feel from its helm.
Our test truck posted 0. Sla Weapon Assault Hunter Cannon. Sla Weapon Assault Turbo Laser. Sla Weapon Atgm Launcher Mount. Sla Weapon Atgm Launcher. Sla Weapon Bow Flamethrower. Sla Weapon Bow Laser Cannon. Sla Weapon Double Coilguns Left. Sla Weapon Double Coilguns Right. Sla Weapon Flamethrower Left.
Sla Weapon Flamethrower Right. Sla Weapon Gatling Gun Left. Sla Weapon Gatling Gun Right. Sla Weapon Hmg Left. Sla Weapon Hmg Right. Sla Weapon Laser Cannon Left. Sla Weapon Laser Cannon Right. Sla Weapon Nuclear Blaster Left.
Sla Weapon Nuclear Blaster Right. Sla Weapon Pintlemount Flamethrower. Sla Weapon Pintlemount Mg. Sla Weapon Tank Turret Autocannon. Sla Weapon Tank Turret Coilgun. Sla Weapon Tank Turret Flamethrower. Small Printers Hull Floor Stl 63 KB. Stl 43 KB. Small Printers Hull Sides. Small Printers Roof Spg Tracks Bottom Run. Tracks Complete Set For Trackguards. Tracks Complete Set.
Tracks Flexi Front Back. Tracks Flexi Whole. Tracks Guards A. Tracks Guards B. Tracks Link. Tracks Linkx3. Tracks Linkx4 Back. Tracks Linkx4 Front. Tracks Top Run. Upper Glacis Assault Gun. Upper Glacis Bow Gunner. Upper Glacis Heavy Armour. Upper Glacis Light Armour. Weapons Aa Autocannon Left. Weapons Aa Autocannon Right. Weapons Aa Gatling Gun Left. Weapons Aa Gatling Gun Right. Weapons Aa Radar.
Weapons Aa Sam. Weapons Apc Mg. Weapons Assault Heavy Gatling. Weapons Assault Hunter Cannon. Weapons Assault Long Siege Mortar. Weapons Assault Siege Mortar. Weapons Assault Turbo Laser. Weapons Atgm Launcher. Weapons Bow Flamethrower. Weapons Bow Hmg. Weapons Bow Laser Cannon. Weapons Double Coilguns Left.
Weapons Double Coilguns Right. Weapons Flamethrower Left.
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